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To listen to excerpts of Al Jarreau's hit singles, please Click Here
Jazz/Pop Legend Al Jarreau Talks About His New
Compilation Album Love Songs, And His New Projects
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| AL JARREAU |
By Jonathan Widran
The only vocalist in history ever to win Grammy
Awards in jazz, pop and R&B, the legendary Al Jarreau hit another unique
milestone in 2007 when he extended his Grammy streak to four different decades
(‘70s, ‘80s, ‘90s, 2000s) by winning in the Best Traditional R&B Vocal
Performance category for his recording of “God Bless The Child” with Jill
Scott. Never one to rest on his considerable laurels, the multi-talented
68-year-old dynamo is following 2006’s Givin’ It Up, his first ever dual
collaboration album with fellow multi-genre superstar George Benson, with three
exciting album projects on catalog giant Rhino Records this year - including a
new Best Of collection featuring several new tracks and his first ever
Christmas project. The first of these was released in January, the
romantic-themed collection, Love Songs.
A 14-track collection featuring
songs he personally handpicked from his vast recording catalog, Love Songs
includes his most enduring adult contemporary hits “We’re In This Love
Together” and “After All,” in addition to his popular early ‘80s take on “Teach
Me Tonight,” smooth jazz era gems “So Good” and “Heaven And Earth,” a little
heard version of Elton John’s “Your Song” (from his 1976 album, Glow)
and “Let It Rain,” a highlight from Givin’ It Up that also features
vocals by Patti Austin.
With his inimitable vocal mix of
silky romance and innovative jazz scatting abilities, Jarreau is so identified
as one-of-a-kind interpreter that it’s easy to forget the great songs he has
written or co-written. These include some of his biggest hits: “After All” and
“Mornin’” (with David Foster and Jay Graydon), “Roof Garden” and the “Theme From
Moonlighting.” In addition to “After All,” Love Songs has three other
tracks that Jarreau had a hand in composing, including “Goodhands Tonight,”
“Let It Rain” and “Brite ‘N’ Sunny Babe,” a late ‘70s song he originally wrote
for his wife Susan and which appeared on his album All Fly Home. Jarreau
credits the “fresh young ears” at Rhino Records for convincing him to listen
back to that tune and put it out for a new generation to hear.
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| Al Jarreau |
“It’s completely appropriate that I
include that tune on Love Songs, because it was eight years ago that
Susan first told me that [a compilation] of my best romantic songs was long
overdue,” says Jarreau. “She kept calling it ‘Al’s Valentine card,’ and we had
many of the older songs already picked and were just waiting for the right
opportunity. The good news about doing it now is that we were able to include a
few extra songs that I really love, like the one with Patti, the Rex Rideout
tune ‘Secrets of Love’ from All I Got and ‘My Foolish Heart’ from Accentuate
the Positive. I’m sure some fans are going to wonder why songs like ‘Since
I Fell For You’ are missing, but to me it takes those fresh ears to go beyond
the obvious and create a collection that captures the spirit of my career, yet
also feels very much like a recording of today.”
Jarreau has toured the world many
times, and says he never gets tired of audiences screaming out for great
ballads and romantic songs. It’s a love he shares with them that has been part
of his own life since growing up in Milwaukee as a huge fan of legendary
crooners Nat “King” Cole and Johnny Mathis. One of the first songs he remembers
singing around the house was “Bewitched, Bothered and Bewildered.” He says the
qualities that attract him to a great love song - and may inspire him to record
it - are the same as those that make a compelling song in general. “It catches
your ear and draws you in,” he says. “I love melodies that are set inside rich
interesting chords that just tug at my heartstrings. Sometimes beautiful
instrumental pieces can even hit me this way. For the past 12 years, I’ve been
doing symphony programs and singing a lyric I wrote to Bach’s Aire on a G
String.
“The late Joe Zawinul from Weather
Report wrote one of my all-time favorite romantic songs ‘A Remark You Made,’”
the singer adds, “and it has such intelligence and heart. Those are the things
that attract me to a good love song. There are just certain sensibilities that
we as human creatures with a soul respond to, certain vibrations in the music.
The task of any great singer is to either write new songs that tap into those
or to find them out there so you can pass them along to people whose hearts are
in the same place.”
It’s ironic to note that for
Jarreau, music was always his top passion, but was actually a second career
choice. He earned a Master’s in Vocational Rehabilitation from the University of Iowa - specializing in work with everyone from ex-cons to amputees - before
relocating to San Francisco to work as a counselor. Hanging on to that day job
for five years in the 1960s, he hooked up with keyboardist George Duke (a
future jazz/R&B legend himself) and from 1966-69 he performed locally with
Duke’s trio. Some of the gigs were in the center of the flower-power universe,
the Haight-Ashbury district of San Francisco, and Jarreau would often encounter
kids on the street who he would later be helping in his job as a rehab
counselor.
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| The CD cover of Al Jarreau's new compilation album Love Songs, on Rhino Records. |
In a recent interview with Duke for
the latter’s XM radio show, Jarreau told his old compatriot of some of his
experiences at the tail end of the ‘60s in New York, when he sang at Rodney
Dangerfield’s club and met up with future stars like Bette Midler, John Belushi
and Jimmie Walker. The singer finally settled in Los Angeles, where he
performed regularly at hotspots like Dino’s, The Troubadour and Bitter End
West. He was also one of the few singers ever to perform on The Tonight Show
Starring Johnny Carson without benefit of a major record deal. That all
changed quickly when in 1975, after an extended stint at Bla Bla Café, he
signed with Warner Bros and released his debut We Got By to universal
acclaim. He subsequently won his first Grammy award in 1978, for Best Jazz
Vocal Performance for “Look To The Rainbow.”
Jarreau, who performed almost 40
concerts with George Benson last year (including the U.S. and Russia), is currently planning his live performance itinerary for the rest of 2008. He recently
changed booking agencies and is hoping he will be able to include concerts in
some of his favorite provinces in France over the summer.
“Even back in the club days in the
Bay Area, I was fairly confident that if I stuck with my singing, I could make
a few friends who would tell their friends and maybe the crowds would grow,”
says Jarreau. “I was willing to wait for the right big break and was happy to
work in small rooms to build my audience. The huge success that came in the
mid-‘70s was surprising at first, but I had a great deal of confidence that I
would be able to sustain it because I was finally doing what I love to do and
making a living at it. Every time I walk onstage these days, I feel the same
kind of exuberance about the music as I did back in the beginning. I have this
renewed appreciation for the art form that keeps growing, as I continue to
experience this joy that stems from my profound love for the music.”
Jonathan Widran is a free-lance music/entertainment
journalist who contributes regularly to Music Connection, Jazziz and All Music
Guide. He can be reached at Few522@aol.com.
Special Feature: Streaming Video and Audio
You can listen to excerpts of songs from Al Jarreau's album Love Songs, plus hear Al talk about this album, by clicking the links directly below:
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